|
| ||||||||
|
| ||||||||
|
Damian
Pascuzzo, president of the American Society of Golf Course Architects,
reports that remodeling work is the "other side" of the design profession. According
to Pascuzzo, courses built more than 25 years ago have to deal with remaining
competitive and challenging as well as heavy play over time, and will be remodeled
in large numbers in 2002.
Representatives
of Target Stores announce their pleasure with sponsored golfer Ty Tryon,
a 17-year-old golfer who recently earned his PGA Tour card at Qualifying School.
Tryon signed a deal with Target in October to wear the Target Bullseye Design
and Mossimo-branded clothing.
|
Five Questions Bobby Grace started designing putters in 1991, with his well-known hand-milled Fat Lady mallet, and in the last decade has become one of the premier putter designers in the game. Q: Why did you get started designing putters? A: Originally, I had become quite involved with collectables and I became a broker about age 20 in the area of classic clubs -- mainly drivers, wedges and putters -- for about eight years. As the market got stronger and stronger and Japan started heading for those bubble years it really got out of control as I was one of three dealers and brokers in the United States. Finally it whittled down to where the metal woods came out (and drivers) went by the way side. Once Cleveland and a lot of the other guys started making great, classic type wedges those went by the way side. I honed in to only putters. I used to buy and sell T.P. Mills hand-made putters and Tad Moore's, I use to get my hands on all of them. I went through hundreds and hundreds of really good collectable and useable items that the Tour players were looking for and playing with and so were collectors. Eventually I started paying attention to how T.P. Mills did this. I said if this guy can do this I need to get an engineer and machinist and go figure out exactly how to get what my eyes know is good for the Tour player, how to get that made, get that done. Q: You've been doing this since '92, but obviously the marketplace has changed considerably and the bubble in Japan burst. How hard is it to compete not only as a small company but a small company that focuses on just one club? A: It's not hard to compete as long as you know your limitations and you know where your niche is. We have a great following of people who have confidence in what we create and design and we just try not to grow beyond our abilities and keep ourselves under control. Originally when I made this mallet putter, Nick (Price) ended up winning the PGA Championship in '94 as he is becoming the No. 1 player in the world, and the Japan thing is still cooking. Then Annika (Sorenstam) gets the putter and wins her first seven events with it, with back-to-back U.S. Opens. Karrie Webb comes out of the box and wins with our putter right away. We just had one after the other after the other. We grew the thing to a multi-million dollar company and sold it to Fortune Brands in '97 for Cobra Golf's addition. Now we got the company back and, by the way, they had to basically buy me out of my contracts and give it back to me and tear up the non-compete. So it wasn't something I had to purchase back. They had to pay me twice, which I thought was wonderful -- only in America. Back to the competing, you have to absolutely create a better arrow and we know how to create a better arrow. We just came out with something brand new in the last few months that you barely have seen on the scene yet. All of our patents are finally filed and we've got something that I just fitted up Arnold Palmer over at Bay Hill and it's a belly style putter, but it is one that is designed around full forgiveness. If you really stay in your niche, if you build this good brand, brand awareness is the whole thing. If you stay within your limitations you don't have to be No. 1, you just have to make the best product. For the full Five Questions interview with Bobby Grace, click here. | ||||||